Our Encounters with Nature issue has finally been released! If you haven’t checked it out yet, you can do so here. Each of the editors has worked hard combing through submissions, perfecting the mechanics of each piece, and stringing together the parts of the whole.
Readers and submitters don’t normally get the chance to hear from the shadowy figures who construct the lit mag. So, this month, I thought it would be nice to give the readers a glimpse of the women behind the mask and to give The Drowning Gull’s own some well-deserved recognition.
The December theme: A writer who inspires you.
I know there will be some serious eye rolls when I say this, but the writer who inspires me more than anyone is Stephen King. I first discovered King when I was 11 and borrowed Misery from the school library. The thing that I love most about Stephen King, is his fearlessness and commitment. He’s written what he knows, which is unquestionably horror, but he has never limited himself to that. Hearts in Atlantis was an artistic masterpiece, his short stories are as satisfying as his novels, and his fantasy was a hit or a major miss depending on who you talk to. No matter what, he will always write the story he believes in and he will sit down every day to do it. Fearless. Committed. Everything a writer should aim to be.
Anyone who follows me on social media would know that my favourite writer would have to be Brenda Shaughnessy, a poet living in Verona, New Jersey. She’s the author of ‘Interior with Sudden Joy,’ ‘Human Dark With Sugar,’ ‘Our Andromeda’, and my favourite of favourites, ‘So Much Synth’. I first came across Brenda when I searched online for poetry books that could begin my collection of poetry. (I was predominantly a fiction reader, back then, but wrote quite a bit of poetry; I wanted to learn what all the popular contemporary poets were up to so I could master it.) “Our Andromeda” popped up on Google, and it piqued my interest, so I got it. That made me fall in love with Brenda’s poetry– and consequently, purchase her earlier collections and watch out for forthcoming ones. I loved– LOVE– the sounds her words create when strung together into eloquent sentences. Some of the sentences in particular became like mantras I memorised for personal use (self-empowerment, etc). Brenda’s poems are empowering, inspiring, enlightening, heartbreaking… All those emotion-related adjectives that, when used by an author’s readers to describe their work, mean the poems did exactly what they were meant to do.
It’s hard to pick one writer that inspires me, but I am struck over and over again by Italo Calvino’s work each time I read him. He has no formula for his novels — each is unique, a world unto its own, and each book reads completely differently. I love that he gives himself so much room to experiment with form and structure, and I hope to emulate that kind of whimsical dedication to experimentation in my own work. I love how he questions and redefines what a novel can be, and I love the magic that is present in each of his stories. He really gives himself room to play.
Mark Z. Danielewski is my idol. One day, I plan to write a novel as trippy and awesome as his House of Leaves. His words mimic his story; physically and emotionally, he captures the essence of the novel in the mere placement of letters. I love how he does not adhere to structural standards (his words spiral and even transcend the page boundary) and, not only does he write outside of the box, he decimates that box completely. There are so many layers and secret messages in his novel. One can dig and dig and dig, always finding a new chunk of gold on which to latch. That’s the beauty of it: his tale is never-ending. In a sense, its layers make it immortal. Danielewski follows his heart, no mater the backlash or the consequence — that’s what I love about him. I want to be his level of fearless.